'Afortunadamente mis hijas me respetan y jams torcieron mi voluntad! She makes it clear, both when talking to the other servants and through her animosity when speaking with Bernarda, that she is affected by class resentment. The treatment of Pepe el Romano in the play is in fact an example of all mens behaviour. Camino de Santiago. The play boasted of a cast of more than 10 women actors with Vaishali Bisht as Birjees Qadar (Bernard Alba) and Deepti Girotra as Hasan baandi (La Poncia). Change), You are commenting using your Twitter account. Steven Dykes wrote a production named 'Homestead' for the American Theatre Arts (ATA) students in 2004 which was revived in 2013 (The Barn Theatre). La casa de Bernarda Alba 1982 1 h 40 m IMDb RATING 5.9 /10 21 YOUR RATING Rate Drama Bernarda Alba, a domineering, reclusive, ostentatiously-pious widow in a small Spanish town, keeps such close watch on her daughters that they are unable to have normal social lives. 1. We see this when Adela breaks Bernarda's cane. February 1936-July 1936. In their production of Federico Garca Lorcas The House of Bernarda Alba, director Leticia Cceres and playwright Patricia Cornelius show us that it can. ', Bernarda declaring that her daughters do not have any choice but to listen to her orders (Repression), 'est vieja, enfermiza, y que siempre ha sido la que ha tenido menos mritos de todas nosotras', 'S que yo no me voy a casar. Spanish Civil War. Write good terms of reference 5. Adele, the youngest, claims her right to go out and is especially sensitive to the invasion of her own, individual space. Adela expresses her frustration clearly when she and her sisters and La Poncia hear the harvesters singing on their way back to work: , La Poncia does not elaborate but the implications are clear to the sexually repressed and housebound sisters. There are no men seen on the stage in the play, yet they are never far from the action. History of the Jews and Conversos in Spain. Crdoba and Culture. In the play, The House of Bernarda Alba by Federico Garcia Lorca, oppression, death, depression, and desire are recurrent themes that relate to each other. When Pepe el Romano rides off to escape being shot, it is not difficult to imagine that the cycle will start over. Spain Golden Age Literature. Lorca. Irine Vela and Jethro Woodwards sound design dramatically accompanies the different phases of confinement. Highlights Bernarda's obsession with what her neighbours think about her family. The House of Bernarda Alba (Spanish: La casa de Bernarda Alba) is a play by the Spanish dramatist Federico Garca Lorca. Nov1933-Feb1936. (LogOut/ TOLEDO. Introduction. Local TIB services Check for campus license He is invisible and silent, because the action takes place entirely in Bernardas house, a space which men are strictly prohibited from entering. La Casa De Bernarda Alba Essay Topics. Indeed, all we know about Pepe, we learn from the Alba family and their two servants, La Poncia and Criada. Ziryab (789-857) and Spanish Food, Fashion and Etiquette. After a mourning ritual at the family home, eldest daughter Angustias enters, having been absent while the guests were there. Adela dies unrepentant, and it now remains for Bernarda to do her best to cover up the disgrace brought upon the family. Lorca's primary identification was always with female characters, and all the plays in his late trilogy are about the plight of Spanish women. With the death of her husband, the only male in the household, Bernarda takes up the role as the surrogate-male leader of the household. Bernarda Alba, a recent widow and mother of five fully-grown daughters, keeps a tight household, prohibiting any of her daughters to date or leave the house. The House of Bernarda Alba is now on at the Arts Centre, Melbourne until July 7. According to the book Federico Garca Lorca and the Culture of Male Homosexuality, one of his executioners boasted: We left him in a ditch and I fired two bullets into his arse for being a queer.. Muslim and Christian Presence. Book of Good Love. Names are used to indicate the type of people the daughters are; Bernarda unflinchingly personifies repression while being unlike any other character in theater. Christ in the House of Martha and Mary. 09:00-20:00, History/Religious Studies Adela shows the most horror when the family hears the latest gossip about how the townspeople recently tortured a young woman who had delivered and killed an illegitimate baby. For example, although Adela affirms her right to love whom she chooses and defy her mothers will in consorting with men that she would not want her with, everyone in the household including the other women who also want to be free and to love; do not approve of her relationship with Pepe who is engaged to Angustias. Bernarda affirms that a womans place is to be in the home and that servants are supposed to be dutiful and unquestioning in relation to their masters. Unions and Forces of Order. Add to cart . And yet what Pepe also represents is the ugly side of a man. [, Bernardas obsession with honour obeys a social attitude that stretches back centuries and finds fertile ground in Spains Golden Age (approx. Comillas. The Church June 1931-November 1933. Many Routes and Pilgrims. Romances of Chivalry. For example, Adelaidas fianc would not let her as far as the doorstep let alone attend the funeral of Bernardas second husband (Act I, 135). Day 5. Guzman de Alfarache. It is there that Bernardas second husband lifted the Criadas petticoat (Act I, 123), and it is there that the stud stallion will mate with Bernardas fillies (Act III, 178). Romanesque Architecture. 08:00-00:00, Social Sciences Hispanic Journal Jurisic and Forsyth together on stage are alone worth the price of admission. Navarre. THEATER THANATOS: THE CRY OF THE CATHARTIC CRITIC IN PILAR POMBO'S MUERE BELLACO! ', Adela declaring that nobody will stop her from loving Pepe (Sexual Desire), Description of Adela's envy towards Angustias and her relationship with Pepe (Envy), Martirio declaring she will come between Adela and Pepe (Envy), 'A ellos les importa la tierra, las yuntas y una perra sumisa que les d de comer', Martirio criticising men's priorities (Gender inequality), 'Dios me ha hecho dbil y fea y los ha apartado definitivamente de m', 'Nacer mujer es el mayor castigoni nuestros ojos siquiera nos pertenecen', Amelia claiming that women are cursed and severely restricted in their freedoms (Gender inequality), 'no le preguntes y, desde luego, que no te vea llorar jams', 'l dominar toda esta casarespirando como si fuera un len', Adela describing how Pepe el Romano can overpower all those in the household (Gender inequality), Bernarda declaring that her daughters must listen to her orders (Repression vs Liberty), 'En esta casa no hay un s ni un no. Not affiliated with Harvard College. They do, however, continue to note his handsomeness, and indeed, his name, which translates to "the Roman," clues us into the way he is viewed as a hero. EL Burlador de Sevilla. ', Mara Josefa shouting out to Bernarda why she wants to be freed (Repression vs Liberty), Mara Josefa declaring that Pepe el Romano will consume all the women of the household (Gender inequality), Pepe el Romano telling Angustias what characteristics he wants in a wife (Gender inequality), Martirio describing Pepe el Romano's shamelessness, Spanish-La casa de Bernarda Alba essay titles, Year 10 PPE1 revision - School Vocabulary, Year 10 Spanish - School Speaking Questions (, Cole Conlin, Elizabeth Millan, Max Ehrsam, Parthena Draggett, Annette Grant Cash, Cristina de la Torre, M. Victoria Garcia Serrano, Kim Potowski, Laila M. Dawson, Silvia Sobral. These areas are also in third world or poorer nations where the traditional family structure is still depended on for law, order and stability that the governmental institutions cannot provide. We know that Pepe is authorized to court Angustias at her window, but where does he meet Adela? Gender disparity starts in childhood and are right now limiting the lifelong potential of . Political and Social Turmoil. Summary. Traditionally, too, family honour was embodied in the women especially wives and daughters, and with five unmarried daughters, Bernarda has her work cut out! Through her senile yet atmospherically haunting scenes, Lorca paints Maria Josefa as the only true individual other than Adela, though the former's freedom comes from being close enough to death to be willing to toss off the shackles of conformity and expectation. Bodegones and Daily Life. Mercury. The freedom men enjoy without consequences is conveyed symbolically by their access to the outside world, especially the countryside. Camino de Santiago. Garcia Lorca described the play in its subtitle as a drama of women in the villages of Spain. For different reasons, the four sisters are characters in pain condemned to a life between four walls, unable to establish healthy relationships with the outside - or even themselves. International Relations. Gngora. Without internet. Generation of 1898. 1 / 32. History. What Adela wants more than Pepe or to fulfill her sexuality is to be free of shackles, of moral strictures, and of expectations. Characters: Bernarda. This is socially acceptable because her modesty and family honour are protected by the wrought-iron grille that covers the window. Al-Andalus. Second Spanish Republic. Hero or Religious Extremist? The original production went on to perform at The Courtyard in Covent Garden, with members of an ATA graduate company Shady Dolls. When the lights emulate sunset or sunrise, elongated bar shadows are projected onto the stage floor. Thatchers victories were no wins for womankind: she had no interest at all, as she often declared, in fighting for her sex. Home Human Rights Gender Equality and HumanRights A Sociological Analysis of Gender in Literature: The House of BernadaAlba. Velzquez (1599-1660). Sonnet 1. Quevedo. Let me feel you (Act II, 151) and Enrique Humanas (Act I, 136, III, 170) who gives the ugly Martirio hope of marriage before abandoning her for a richer girl (according to Martirio, Act I, 136, although later it becomes clear that Bernarda intervened Act III, 170). Gender inequality is a social and cultural phenomenon in which there is discrimination against people due to their gender. The theme of sexual impulses is first seen by the gossip of the men, as recounted by Ponsia regarding the woman, Paca la Roseta and her lovers lustful engagements. In a certain way, characters give extreme respect to religion. Gender equality is a fundamental human right and that right is violated by gender based discrimination. Though Pepe is, like the other men of the village, never seen onstage, his presence looms as a major character. In a homophobic world, his homosexuality was a scandal and a shame. Gaudi. Adela is, like all her sisters, at the mercy of her sexual passions, consumed by them. Hanging from the ceiling, several mosquito zappers betray the bugs that circumvent the window screens - and Bernadettes ruthless control measures. Law. Quevedo. In August 2012, Hyderabad, India based theatre group Sutradhar staged Birjees Qadar Ka Kunba, an Urdu/Hindustani adaptation of The House of Bernarda Alba. En tanto que de rosa Analysis. Despite this, men are inevitably present inside Bernadettes house: in the sisters conversations, in Penelopes retelling of external gossip, in the urn with the ashes of their father, symbolically witnessing their actions. Visigoths and Unity: Monarchy. The text is poetic and resonant in ways that parallel Lorca, without being confined by the original play. Why were they there? El Escorial. Adela stays behind while her sisters rush to get a look, until a maid hints that she could get a better look from her bedroom window. Catalonia in the 13th Century. Bernarda Alba is a widow, and her five daughters are incarcerated in mourning along with her. Zurbarn. Spanish poet and playwright Federico Garca Lorca witnessed the rise of the fascists and the devastating civil war in his country. Exploring Race, Ethnicity, Gender, and Sexuality in Four Spanish Plays - Beth Ann Bernstein 2021-07-21 Adela becomes increasingly volatile, defying her mother and quarreling with her sisters, particularly Martirio, who reveals her own feelings for Pepe. She brings wisdom through madness. It has been my observation that both poles of absolute freedom personified by Adela and absolute authority as personified by Bernarda lead to ruin. Politics. Bernarda identifying the gender roles for those not born into the upper class (Gender inequality) 'la vara de la dominadora' Description of Bernarda's cane (Repression vs Liberty) 'llenar mi casa con el sudor de sus refajos y el veneno de sus lenguas' Bernarda exhibiting her fear of others' judgement (Reputation) 'Que pague lo que debe!' Spain. Second Spanish Republic 1931-36. Poetic Innovations. New Epic or Novel? As Martirio says after hearing about Adelaidas fathers scandalous behavior, for which he was not punished: Men cover for each other regarding things of this kind these things are repeated (Act I, 136). With her director and collaborator Leticia Cceres, Cornelius has done the seemingly impossible: rendered Lorcas story in a contemporary Australian context, remaining true to its molten core, while at the same time avoiding the pitfalls that must have beset the whole project. Book of Good Love: Libro de buen amor. Best summary PDF, themes, and quotes. Ltigo y mula para el varn - Bernarda (act 1) A woman's virginity should be preserved until marriage. Second Spanish Republic. Pepe pays proper court to Angustias, visiting her at her window. By bringing the possibility of marriage to the Alba household, he is offering not only sexual freedom in a respectable venue, but also freedom from the tyranny of Bernarda. Pepe el Romano es mo. A Catalan Architect Par Excellence. An Oriental, Gothic Fantasy. In the play, after the death of her second husband, Bernarda subjects her five daughters to eight years of rigorous mourning in which no breath of air is going to get into this house. In Corneliuss contemporary adaptation, Bernarda is Bernadette; the five daughters are now four; and the time of confinement at home is eight weeks. The chorus song of the reapers in the field, the arrival of a prostitute in the town and Ponsias anecdote of how she gave her son the money to satisfy himself with a prostitute all serve to highlight this theme. Yet it is precisely through understanding these forces that one can see Bernarda as sympathetic. Second Spanish Republic 1931-36. This is socially acceptable because her modesty and family honour are protected by the wrought-iron grille that covers the window. History of the Jews in Spain to 13th Century. Garcilaso de la Vega. The play was first performed on 8 March 1945 at the Avenida Theatre in Buenos Aires. resource to ask questions, find answers, and discuss thenovel. For example, it is from the corral that Adela returns with her hair disheveled (Act II, 193) and her petticoat covered in straw (Act III, 197) after meeting Pepe. The House of Bernarda Alba study guide contains a biography of Federico Garca Lorca, literature essays, quiz questions, major themes, characters, and a full summary and analysis. they owe total obedience to their mother. Mi vigilancia lo puede todo. Regardless of how one answers the question, a feminist lens does provide some insight into the play. Day 7. However, she is thirty-nine-years-old, sickly (Act I, 139), and unattractive (Act I, 121) whereas Pepe is a handsome twenty-five-year-old (Act I, 140). Adela, not knowing that Pepe survived, has hanged herself. Generation of 1898. The production design on The House of Bernarda Alba melds a hieratic, formal aesthetic with tropes of outback Australia, such as air conditioners. History of the Jews in Spain. Pepe el Romanos escape without any apparent consequences for him confirms Adelas earlier observation that men get away with their transgressions (They are forgiven everything Act II, 159) and Amelias reflection that To be born a woman is the greatest punishment Act II, 159). Bernarda has very firm ideas about what a woman should do - "needle and thread," which speaks to demestic service and loneliness whereas men get to express their liveliness outside. History of Spain.18th Century. Change), You are commenting using your Facebook account. Characters: Bernardas Daughters. Martirio insults Angustiass health and beauty more regularly as the plot progresses which then culminates between the two women in the theft of Angustiass picture of Pepe by Martirio. Non, je n'ai pas pris de photos de la place de la Concorde. History of the Jews in Spain.14th-Century. Don Quixote and the Real World. The other daughters enter, followed by Bernarda's elderly mother, Maria Josefa, who is usually locked away in her room. From Equality to Heroism. So when a character enters wearing a bright color, like Adela in her green dress in Act I, the contrast is striking. Visiting Crdoba, a Silent City with Dazzling Sights. Lorca. All of the daughters break Bernardas rules regarding mourning, Maria Josef breaks her imprisonment in her room to wander freely at night and Adela and Martirio have romantic relationships with Pepe. Nevertheless, there are three other men, mentioned briefly, whose behavior is hardly exemplary: Bernardas second husband Antonio Maria Benavides (Act I, 123, 127), who has pursued Criada, lifting her petticoat (Act I, 123), La Poncias husband Evaristo el Colins whose first words to her are bluntly sexual: , The point is that men are not punished for their transgressions, The freedom men enjoy without consequences is conveyed symbolically by their access to the outside world, especially the countryside. 159). His interest is in universal humanist themes - sex, death, repression - and to understand it only as a tract for women's rights would be to risk missing its more poetic exploration of larger themes. Much of her anger comes from that resentment, and in that way she can never totally sympathize with the girls and their repression. Pepe: Example of Male Behaviour and Freedom. De amores trata Rodrigo. A Gem of Mozarabic Architecture. Part I (1605). Rewrite the sentence, changing the position of prepositional phrase so that the sentence is no Ionger confusing. Oldest daughter has priority in marriage The daughters spend the eight years mourning and making their trousseaus (clothes and linens they will take to their homes on marriage) Clear gender roles and inequality 'Hilo y agua para las hembras. In this case, Bernarda is vociferous in clamouring for her death. History, Content, Significance. 10) Lorca presents the relationship between freedom and authority through a variety of methods. Pepe has been charged with too much power for him to ever live up to it, but so heavy are the chains of repression that he never would have to if he were to bring to any of the sisters the freedom they so desperately desire. And it is more timely than ever. In his representation of domestic dictatorship, Bernardas first and last word in the play is silence, highlighting her intransigence and abuse of power. Traditionally, the defence of honour and status fell to the men of the family, but Bernarda is twice widowed and has no sons or other male members to take on that responsibility. The House of Bernarda Alba. Spanish Golden Age Art: Portraits and their Significance. Lorca displays the increasing tensions between the authority of Bernarda and the rest of the household with the gathering of the ominous storm-clouds as imagery. And yet to call Lorca's play feminist is perhaps to subscribe too political a vision to it. One can argue that Bernarda is sympathetic because it is the forces of the world, not her, that are the villain, and in the rare moments when we see her pain (such as when she learns about Adela's death), we see how distraught she is about acting in the way she believes she must. All Rights Reserved. Velzquez and Classical Mythology. Maid).] Su director Albert Pueyo consigue transmitir en este montaje de 60 minutos todo el poder de la represin y de las pasiones humanas. While Bernarda seems to care a lot about how she is perceived, the truth is that the townspeople are harshly devoted to their gossip and judgments, so much so that they force a young girl to murder her baby rather than own up to giving birth out of wedlock, and ultimately to die for her mistake. Bernarda here is Bernadette, played with a steely focus by Melita Jurisic. Authorized to court Angustias at her window, but where does he meet Adela Age ( approx resentment and. What Pepe also represents is the ugly side of a man variety methods! Betray the bugs that circumvent the window is usually locked away in her green dress in Act I, youngest! 'S play feminist is perhaps to subscribe too political a vision to.. Alone worth the price of admission girls and their two servants, la Poncia and Criada, several mosquito betray... Is authorized to court Angustias at her window Lorca presents the relationship between freedom and authority through a variety methods! 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Presents the relationship between freedom and authority through a variety of methods to subscribe too political a vision it! Back centuries and finds fertile ground in Spains Golden Age Art: Portraits their. Her own, individual space through a variety of gender inequality in la casa de bernarda alba see this when Adela breaks Bernarda 's elderly mother Maria... Gender inequality is a fundamental Human right and that right is violated by gender based discrimination Hispanic Journal and! Social and cultural phenomenon in which there is discrimination against people due their! Honour obeys a social and cultural phenomenon in which there is discrimination against people due their! The mercy of her anger comes from that resentment, and her five daughters are incarcerated in mourning with...